Ballerina Review: Ana de Armas Kills Busloads of People in Giddy, Ruthless Orgy of Violence
If you’re someone who loves full-on action and non-stop fighting, then Ballerina is just your type of film. Ana de Armas steps into the spotlight here, and honestly, she owns it. From the first scene to the last, there’s hardly a moment to breathe. There are bullets flying, hand-to-hand fights, and a woman on a deadly mission of revenge.
The Plot in a Nutshell
This film takes place in the same world as John Wick, but instead of Keanu Reeves, we follow Rooney, a young ballerina trained to be a killer. You might remember her briefly from John Wick: Chapter 3 – Parabellum: She was part of the ballet academy. Now, she’s front and center, and the story follows her quest for vengeance after her family is murdered.
She’s not stopping until every person responsible is taken down. It’s simple, brutal, and very personal.
Pure Action With Purpose
The biggest strength of Ballerina is its action. If you liked the gun-fu style of John Wick, this movie takes that and adds even more intensity. There’s one scene where Rooney takes down a whole bus full of armed men Yes, an entire bus, and it’s done so smoothly you’ll be glued to the screen.
But it’s not just violence for the sake of it. There’s emotion behind every punch. Rooney is not just fighting enemies; she’s fighting the trauma of loss, betrayal, and pain. That emotion makes the action more powerful.
Ana de Armas Shines Bright
Ana de Armas has played many great roles before, but in Ballerina, she takes it to the next level. She’s strong, sharp, and totally convincing as a trained assassin. Her body language, expressions, and fight choreography look real; she clearly worked hard for this role.
One standout moment? A dance sequence that slowly turns into a deadly ambush. It’s a perfect mix of beauty and brutality, and it shows just how powerful she is in this role. Ana proves that female leads can carry full-blown action movies and absolutely slay it.
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Direction, Music & Cinematography
The film is sleek, fast-paced, and stylish. The director, Len Wiseman, keeps the tone close to the John Wick universe: dark, gritty, and elegant at the same time. The cinematography is smooth, especially in the fight scenes. The camera doesn’t shake unnecessarily; it lets us enjoy every kick and every gunshot.
The background music is intense and supports the mood very well. It rises and falls with Rooney’s journey and adds depth to the action scenes.
A Few Weak Spots
While the movie is packed with action, there are moments where it feels slightly stretched. A couple of scenes go on a bit longer than needed, and the pace slows down in the middle. But these are small issues. Overall, the film stays focused on what it wants to do—deliver high-energy revenge with a punch.
Quick Movie Info
| Detail | Info |
|---|---|
| Movie Name | Ballerina |
| Release Year | 2025 |
| Director | Len Wiseman |
| Lead Actor | Ana de Armas |
| Supporting Cast | Keanu Reeves, Lance Reddick, Anjelica Huston, Gabriel Byrne |
| Connection to John Wick | Spin-off based on John Wick 3 character |
| Genre | Action, Thriller, Drama |
| Runtime | Around 2 hours 10 minutes |
| Plot Theme | A female assassin’s revenge mission |
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Ballerina is not a soft, slow story. It’s a fierce, fire-filled film about pain, loss, and taking justice into your own hands. Ana de Armas leads the way with power, grace, and fury. The action is loud, bloody, and brutal, brutalbut it’s also smart and emotional.
This is not just another action flick. It’s a bold step forward for women-led action cinema. If you liked John Wick, you’ll love this even more. And if you’ve never seen a woman wipe out an entire gang on a bus—you’re in for a wild ride.
Best Line from This Post:
Ana de Armas doesn’t just board the bus—she wipes out everyone in it without blinking
